Deep Blue Sea (1999) Full Streaming
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You will find complete description of Deep Blue Sea below:
- Original Title : Deep Blue Sea
- Movie title in your country : Deep Blue Sea
- Year of movie : 1999
- Genres of movie : Action, Science Fiction, Thriller,
- Status of movie : Released
- Release date of movie : 1999-07-28
- Companies of movie : Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership,
- Countries of movie : Australia, United States of America,
- Language of movie : English,
- Durationof movie : 105 Min
- Average vote of movie : 5.6
- Youtube ID of movie : gpdab_bi2HY
- Translation of movie : PL,EN,RO,RU,FR,SV,ES,JA,PT,CS,DA,UK,HE,PT,EL,TR,CA,DE,IT,NL,ZH,HU,KO,BG,ES,ZH,
- Actors of movie :Tajsha Thomas (Friend of Janice), Stellan Skarsgård (Jim Whitlock), Aida Turturro (Brenda Kerns), Brent Roam (Helicopter Winch Operator), Valente Rodriguez (Helicopter Co-Pilot), Samuel L. Jackson (Russell Franklin), Michael Rapaport (Tom "Scoggs" Scoggins), Thomas Jane (Carter Blake), Eyal Podell (Boy #1), LL Cool J (Sherman 'Preacher' Dudley), Erinn Bartlett (Girl #1), Sabrina Geerinckx (Girl #2), Daniel Rey (Helicopter Pilot), Jacqueline McKenzie (Janice Higgins), Frank Welker (Parrot Noises (voice)), Dan Thiel (Boy #2), Saffron Burrows (Dr. Susan McCallister), Cristos (Boat Captain)
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Deep Blue Sea is the foremost movie manufacured by Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership, which features a description of the movie is "On a remote former submarine refueling facility called Aquatica, a team of scientists are searching for a cure for Alzheimer's disease. Dr. Susan McAlester genetically engineers three Mako sharks, intending to increase their brain capacity so that they can harvest the tissue as a cure for Alzheimer's. Unfortunately, the increased brain capacity also makes the sharks smarter, faster, and more dangerous. Aquatica's financial backers are skeptical and nervous about the tests, and send a corporate executive to visit the facility.". The film was produced with excellent graphic quality, best sound quality and best starring actors.
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Assistant Director : Thomas J. Mack, Sound Effects Editor : Jayme S. Parker, Set Dressing Artist : Chris Adams, Dialogue Editor : John F. Reynolds, Screenplay : Donna Powers, Visual Effects Editor : Kevin Clark, CG Supervisor : Douglas R. MacMillan, Set Designer : Bill Taliaferro, Sound Recordist : Rick Hromadka, Driver : Rick Kelleher, Animation : Constance Bracewell, Sound Effects Editor : Andrew Somers, Set Production Assistant : Jose Jimenez, Music Editor : Dick Bernstein, Camera Operator : Phil Pastuhov, Associate Producer : Thomas J. Mack, Visual Effects Supervisor : Jeffrey A. Okun, Special Effects Supervisor : John Richardson, Color Timer : Dale E. Grahn, Prosthetic Makeup Artist : Chad Atkinson, Stunts : Lesley Aletter, Director : Renny Harlin, Key Hair Stylist : Peter Tothpal, Best Boy Electric : R. Gern Trowbridge, Production Accountant : Armando Amador, Executive In Charge Of Production : Mark Scoon, Set Designer : Javier Nava, Editor : Dallas Puett, Location Manager : Michael John Meehan, Unit Production Manager : Todd Arnow, Visual Effects Supervisor : Craig A. Mumma, Projection : Tom Ajar, Post Production Supervisor : Ilyse A. Reutlinger, Visual Effects Supervisor : William Mesa, Associate Producer : Patrick Lynn, Casting : Christine Sheaks, Visual Effects Supervisor : Rebecca Marie, Supervising Art Director : Bruce Crone, Screenplay : Wayne Powers, Executive Producer : Jonathan Schwartz, Digital Compositors : John Rauh, Set Medic : Sarah Catizone, Video Assist Operator : Jeff Burrage, Casting Associate : Cassandra Kulukundis, Property Master : Eric J. Bates, Visual Effects Editor : Lincoln Kupchak, Assistant Costume Designer : Karla Stevens Flanigan, Producer : Alan Riche, Electrician : Matt Buchan, CG Supervisor : John E. Sasaki, Visual Effects : Joshua I. Kolden, CGI Supervisor : Serge Sretschinsky, ADR & Dubbing : Hugh Waddell, Stunt Coordinator : R.A. Rondell, Production Office Assistant : Jason D. McGatlin, Foley : Kevin Bartnof, Leadman : Russell R. Anderson, Visual Effects Producer : Thomas Boland, Visual Effects Producer : Heather Smith, Additional Editing : Kevin Stitt, Dialogue Editor : Patrick J. Foley, Construction Coordinator : Gary Deaton, Rigging Grip : Jonas Juhanson, Standby Painter : Anthony Gaudio, Sound Re-Recording Mixer : John T. Reitz, Rigging Gaffer : Ismael 'Izzy' Gonzalez, Art Direction : Héctor Romero, Animation : Bruce Pearson, Gaffer : Mick Morris, Editor : Frank J. Urioste, Supervising Sound Editor : J. Paul Huntsman, Script Supervisor : Portia Tickell, Visual Effects Producer : Scott Dougherty, Production Design : William Sandell, Director of Photography : Stephen F. Windon, Camera Operator : Gregory J. Schmidt, Foley : Catherine Harper, Script Supervisor : Kelly Moon, Visual Effects Coordinator : Jack Geist, Camera Operator : Marc Spicer, Mechanical Designer : Larry Cheng, Production Office Coordinator : Francis Meade Warner, Additional Music : Michael Jay, Editor : Derek Brechin, Second Unit Cinematographer : Gary Capo, Makeup Artist : Allan A. Apone, Executive Producer : Bruce Berman, Production Illustrator : Harald Belker, Makeup Department Head : Jeff Dawn, Production Manager : Anthony Franco, First Assistant Camera : Frank Flick, Producer : Akiva Goldsman, Art Direction : Andrew Rothschild, Production Sound Mixer : Tim Cooney, Unit Publicist : Peter J. Silbermann, Assistant Art Director : Jonathan McKinstry, Art Department Coordinator : Beth Bajuk, Transportation Coordinator : Russell McEntyre, Grip : Gustavo Covarrubias, Digital Effects Supervisor : Simon Giles, Lighting Technician : Bruce Sharp, Visual Effects Supervisor : Jamie Dixon, Sculptor : Jim McPherson, Visual Effects Editor : Steve Shaw, Costume Design : Mark Bridges, Orchestrator : Tom Calderaro, Assistant Sound Editor : Catherine Calleson, Production Design : Joseph Bennett, Camera Operator : Leo J. Napolitano, Visual Effects Supervisor : Jerry Pooler, Production Supervisor : Anna Roth, Costume Supervisor : James W. Tyson, Executive Producer : Duncan Henderson, Additional Camera : Frederick Iannone, Sound Effects Editor : Adam Johnston, Storyboard : Gary Damian Thomas, Supervising Sound Editor : Robb Wilson, Assistant Art Director : Nick Navarro, Set Decoration : Debra Echard, Visual Effects Producer : Kristen Branan, Property Master : Jerry Moss, Unit Manager : Rafael Cuervo, Special Effects Coordinator : Sergio Jara, Hairstylist : Robert L. Stevenson, Producer : Tony Ludwig, Screenplay : Duncan Kennedy, Steadicam Operator : Mark Emery Moore, Animation Supervisor : Ken Stranahan, Set Costumer : Carrie Bauer, Set Designer : Karl J. Martin, Music Editor : Will Kaplan, Camera Operator : Guillermo Rosas, Utility Stunts : Joey Box, Original Music Composer : Trevor Rabin, Boom Operator : Todd Bassman, Aerial Coordinator : David Paris, Transportation Captain : Hugo Chew, Underwater Camera : Pete Romano, Construction Foreman : William Apperson, Assistant Art Director : Ligia Ornelas, Assistant Art Director : David Sandefur, Co-Producer : Rebecca Spikings, Supervising Art Director : Mark W. Mansbridge, Visual Effects Editor : Mark Eggenweiler, Producer : Don MacBain, Still Photographer : Merie Weismiller Wallace, Animation : Julie Nelson, Visual Effects Editor : Scott Balcerek
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Tags: shark attack, shark, alzheimer's disease, killer shark, no opening credits,
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